Color Correction Basics
By Nick Ustinov.
Professional color correction has always been one of the most important
jobs in prepress business. There are some minor differences between a well-scanned picture
and the same picture after color correction.
Using Photoshop we can achieve excellent colors even on a photo that had been scanned with
old or non-calibrated scanner. Anyone can look at the picture and say that there's
something wrong with it, but not everyone can see what exactly is wrong. In order to
color-correct it you must know what's wrong with the picture before
color-correcting it. Here are some fundamental color correction concepts.
COLORS
First thing you should pay attention to are muddy colors - colors that look muddy
or dirty. For example, to achieve good green color of a leaf you should mix cyan and
yellow in varying amounts. If you introduce magenta, the leaf begins to look darker and
muddier, so here the muddy color is magenta. To color-correct this problem we just remove
or decrease amount of magenta.
Next thing to look at are memory colors. The sky should be blue, the grass should
be green, the clouds could be white or gray. Colors you expect them to be are memory
colors. So if you want your photo to look better try to correct memory colors first.
Here's the example. In the left side you can see a picture with memory colors not
corrected.
In this example you see that face in the red side looks too red that is
not normal (of course she could be too tan but that's hardly ;-).
BAD CONTRAST
| Another common problem is bad contrast. This means that the
image lacks enough dark pixels in the shadow areas and light pixels in the highlight areas
so the image looks flat. A good example would be pictures in newspapers. So, how to fix
the colors? We don't describe all methods since there's too much of them plus additional
third-party plugins and filters for professionals. Here are some basic techniques. In case
of bad contrast the easiest way would be Select>All, then Edit>Copy
and Edit>Paste. Now you get two similar layers, one over the other.
|

|
Open Layer Palette (Window>Show
Layers) and find the layer you just pasted (most probably it is Layer 1 if you didn't have
any layers before. Then change the layer apply mode to Overlay.
Woops, you got it.. The image looks way better now.. If it's got too much
contrast change this layers opacity (tune it while you get the most optimal result).
Another (and the most popular)
technique to correct colors is using Curves. Curves can handle most of
the color correction tasks you'll encounter. Select Image> Adjust> Curves
to open Curves dialog box. All adjustments are made to the diagonal line. You can
manipulate colors individually or all at once.
To correct only the specific colors go to Channel Palette and
Shift-select required channels. Then when you open Curves dialog box only the neccessary
channels will be displayed.
At the bottom of the Curves dialog box there are two very important
numbers that are constantly updated as you make adjustments. These numbers represent input
and output readouts of the changed pixels. By watching how these numbers change and
periodically sampling actual pixels in the image while viewing the info palette readout,
you should have complete control over how much color is being changed.
Improving contrast using Levels
In many cases you don't have to change the color to make a photo look better. You just
have to improve contrast. For that reason the best tool is Levels.

The graphic in the middle usually resembles a mountain range is called a histogram.
It gives you graphical representation of what pixels fall where in the image. If there are
higher mountains of lines in the lighter portions of the histogram the image is probably
lighter overall.
Colorizing with Hue/Saturation
Another popular way of improving colors (mostly used to fix up memory
colors) is adjust Hue and Saturation. This is done by moving sliders in the Hue/Saturation
dialog. Select Image> Adjust> Hue/Saturation to open it.
Chaning color mixtures with Color Balance
Color Balance is not a very precise color correction tool but it could be
quite suitable in many cases. It lets you change balance between different
colors. For example you can decrease amount of Reds and add Cyans. What's nice about this
control is that you can target just shadows, the midtones or the highlights of an image. |